"Pigment dust should not go into the earth, water or landfill, but into paint," says Robert Gamblin (Owner of Gamblin Artists Colors)
I was pleased to be invited to give a sustainability workshop for artists at the Dairy Center for the Arts this week, as part of the EcoArts program. EcoArts is a wonderful set of events organized by my friend and colleague Marda Kirn. The project bring artists and scientists together to raise public awareness of climate change and sustainable living. EcoArts happens from September 12 through October 9 this year, and the schedule of events may be found online.Marda asked me to find out about "Greening Art", or how to make the practices of art more sustainable. I found that if someone wants to write a book about "greening" art, the field is wide open. Information on environmental practices in art is scattered throughout the internet and print world, but it seems the field is only just beginning to consider how to be more sustainable. It goes way beyond using recycled materials.
Information on health and safety is more widely available than environmental information, so I presumed that if a material is toxic or accumulates in humans, it is probably not a good thing to put into the environment. It turns out that just going by Material Data Safety Sheets (MSDS) is not adequate; they are based upon warning of short-term toxicity after eight hour exposure of a healthy adult. MSDS don't warn of chronic health risks. Also, an artist with a home studio may be exposed 24/7, or may be way more "familiar" with their materials than just daubing them on a canvas with a brush. If children or elderly people are present in the home they may experience a more significant risk. Some pigments which have not been tested are considered "non-toxic" because no one has proven them harmful. Furthermore, "natural" labeling does not mean safe. Citrus-based solvents contain d-limonene, which is also used as a pesticide, and has a safe permissible exposure limit much lower than that of other solvents. "Biodegradable" does not necessarily mean non-toxic. So, what's a health and environment conscious artist to do?
The Arts and Creative Materials Institute (ACMI) provides labeling that is more conservative, for both short-term and chronic hazards. The ACMI labels materials "AP" Approved Product or "CL" Cautionary Labeling. The most stringent labeling is that of the California Proposition 65, but the only art materials that include Prop 65 labeling is the Golden Artist line. The others are for the most part battling having to use the Prop 65 label, according to my reading.
I went to the big art supply store in Denver, where the most environmental manufacturer was thought to be Gamblin. The Gamblin solvent is less toxic than others, and the company captures the pigments lost in their manufacturing process. Once a year, Gamblin makes an oil paint out of the accumulated residue, which is of course, gray. Some years it's a warm gray, some years it's a cool gray, and the tubes are given away for free. The nice gentleman at Meinenger's gave me a tube of this "Torrit" gray. The Gamblin company has a competition every year for the best values-based oil painting made only with Torrit gray, black and white paint. You can see the winners of the 2007 competition here. Isn't that the elegant thing about sustainability, making something of beauty and creativity that respects limits and efficiency?
So where do you get these more environmental art supplies? I found one on-line art supply store called Eco-Art Supplies , which carries Gamblin and Golden Artist Colors among other supplies.
More sustainable practices in art topics include reducing waste, recycling supplies, and "green" promotion, but that will need to wait for another post.
Here are some helpful resources I found on the topic of hazardous art materials, again presuming that if it's bad for you it's bad to dump in a landfill or down the toilet:
Artist Beware: The Hazards in Working with All Art and Craft Materials-and the Precautions Every Artist and Photographer Should Take by Michael McCann
The Artist’s Complete Health and Safety Guide by Monona Rossol
Facts Sheets on Art Safety Topics by Monona Rossol, at her company ACTS. Free with postal address Example titles: All About Wax (5 pages), Art Painting (5 pages), Ceramic Ware Hazards (7 pages), Dyes and Pigments (5 pages), Labels: Reading Between the Lies (6 pages)
Material Safety Data Sheets for art supplies at BLICK art materials
Online Health and Safety in the Arts Library ; University of Illinois at Chicago
California Proposition 65: Most stringent labeling list for hazardous substances

















